Interactive Mixed-Media Installation
"The Cellular Fidelity" examines the synesthetic and interactive relationship between human life and invisible life in our water. It is an interactive feedback exchange about our co-existence with aquatic life, in which the effects of urbanization are reflected back to you in real time, creating your own unique experience. Invisible life is made visible as well as audible, while connections appear and merge in a bio-generative landscape.
The Cellular Fidelity creates a three dimensional aquarium that breaks its boundaries using light and sound. Audio is encoded into lasers that project through microscopic aquatic environments into the gallery space. On the floor is a cast, colourful view of what, in reality, is floating tiny and suspended above the visitors' heads. The laser reveals its sound when a visitor steps into the shared aquatic space holding a sensor. Field recordings from the collection sites of 30 groups of marine microbes fill the space-bending, humming, and distorting with the visitor's movement. But the audio changes without a visitor, as well. Because the audio-encoded laser first travels through the microbes' environment, they are the first beings to make contact with it. When a cellular shape 'runs' across the floor, the audio reshapes in response to the actual microbe's interaction with the laser up above, picking up movement from above and making it visible and audible from below. The potential for interaction permeates this whole work. That is, interaction exists in what is visual and loud and in what is potential. If every visitor stood perfectly still, holding out their sensors, they would still hear the audio change in a memorable chorus of microbial decisions. You see, the microbes have shadowed spaces and,, therefore,, the option to engage with the laser. Nobody is obligated to communicate in cellular Fidelity. We can't talk, but we can hear each other. While one group sees, another sense. While only some microbe in these water samples are capable of sensing light, many are, and several also display different behaviours based on the volume and interference of sound. The microbes' movements create a sound for the visitors. The visitors' movements create a sound for the microbes. The light is shaped from both directions. Communication goes two ways. While one group sees, another sense. While not every microbe in these water samples can sense light, many are, and several also display different behaviours based on the volume and interference of sound. Dead and decaying cells remain motionless while their descendants' shadows distort them. Movements that would be invisible or indecipherable become visible and audible. We can stay and spend time here. A traditional aquarium is a meeting point that is also a boundary. We observe each other in our respective three-dimensional spaces, separate and uncommunicative. Outside of the aquarium, even this limited observation is fading. We are becoming more and more separated into our individual environments and roles. We can only be aware of each other on special occasions or moments of severe harm. Everything disconnects separately and moves on. Where is the value in being still, slow, spending time to observe and be in a relationship with another, watery, silent world? In The Cellular Fidelity, everyone is invited to step- or propel themselves- into a relationship of mutual observation.
Building or project owner : Cagdas Cecen
Project artist/ concept/ design/ planning : Cagdas Cecen
Light design : Cagdas Cecen
Technical layout light : Cagdas Cecen
Display content/ visuals/ showreel : Cagdas Cecen
Interaction design/ programming : Cagdas Cecen
Project sponsor/ support : MA7 Vienna, MA 31 Wienwasser
Aysegul Yuceil
Cagdas Cecen
Ana Loureiro
Cagdas Cecen
Aysegul Yuceil
Aysegul Yuceil
Cagdas Cecen
Cagdas Cecen
Cagdas Cecen